My work explores the complex relationship between humankind and the land, focusing on the vestiges that still resonate. In them,
resilience manifests as a vital force and a drive for survival. Through research, reflection, and experimentation, I seek to make
visible the historical and present-day narratives that circulate in the spaces we inhabit.
My practice materializes through a dialogue of opposites: geometry and overflowing gesture, nature and culture, construction and
deconstruction, history and future. For this, I employ diverse techniques and materials such as ceramics, photography, painting,
objects, collage, installation, site-specific art, sound, textiles, rubble, discarded materials, and vegetation.
My intention is for the viewer to connect with the resonances of these sensory experiences, recognizing a history that addresses
not only our roots but also the cultural remnants, colonialisms, and extractivisms that persist in the present and their future
repercussions. In this process, art acts as a mirror that reflects the traces of our own actions, opening a non-linear,
non-hierarchical and sensitive space-time to imagine a future from a human perspective that integrates with the environment
and with our own living bodies.