Visual artist and architect, born in Buenos Aires in 1961, whose training in workshops and clinics encompasses diverse disciplines within art.

Her work investigates the complex relationship between human beings and the land, focusing on the vestiges that still resonate. In these, resilience manifests as a vital force and a drive for survival. Her practice materializes through dialogues of opposites: geometry and overflowing gesture, nature and culture, construction and deconstruction, history and future. For this, she employs diverse techniques and materials such as ceramics, photography, painting, objects, collage, installation, site-specific work, urban intervention, sound, textiles, rubble, discarded materials, and vegetation.

Her work has been selected for the Itaú Prize 2023, the National Visual Arts Salon (2017), and the Belgrano Prize (2018). Internationally, she presented the installation “Ese Retumbar” in Cologne and at the Argentine Consulate in Bonn, Germany (2024-25).

As an artist-manager, she created and coordinated “Residencia en Residencias” (2020), a virtual production space during the height of the pandemic. This led to the exhibition “Rituales en Ronda” at the Centro Cultural de la Cooperación and expanded into a regional project: “Territorios en Polifonía,” with two simultaneous exhibitions: one at the Palacio Pereda of the Brazilian Embassy and the other at El Obrador, in 2022. Curated by Mariana R. Iglesias, the exhibition featured 13 Latin American artists. Talks were also given by curators such as Florencia Batitti and Ticio Escobar.

Recent exhibitions include: “Finoikos” (2025) at Espacio Finochietto; “Chromatic Expansion,” an installation in the window of the Muñiz Hospital through Museo Urbano; “Committed Women” at Espacio Familiares de la EX. ESMA (2022); “Humectaria,” in the window of Una Obra Un Artista (2021); urban intervention at Espacios Balux La Gran Paternal (2020); “Timeline” in the vertical gallery of the C.C. San Martín (2019); “Mutant Matters” at Casa Matienzo (2017); “Chromatic Archaeologies” at Praxis Gallery; and “Black Body” at Cultural Matienzo.

Another important self-managed production experience was "Becoming and Going," a site-specific intervention in a building slated for demolition, in 2016, in collaboration with the Cruda Collective. It featured musicians, performers, and dancers invited over six months, and its digital book was later presented at Espacio OSDE.

Some other notable exhibitions include: In 2014, "The Wall That Returns to the Wall" at the former meatpacking plant of Arte x Arte; "No Sphere" at the San Martín de los Andes Department of Culture; and in 2010, "Being," an urban intervention on a vacant lot along the former AU3 highway, and an exhibition at the Lebensohn Foundation. In 2005, she exhibited “Rivadavia, a Role in Art and Culture” at the Recoleta Cultural Center, and had two exhibitions at the Borges Cultural Center in 2001 and 2003.

She regularly participates in art fairs such as Mirabilia and Pequeño Formato at the MARQ Museum, as well as neighborhood events like Tejiendo Redes and SACH. Some of her works belong to private collections.

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